Astral Projection
by Emily Oddo
Today I'm reviewing Astral Projection by Emily Oddo. The subtitle is 7 Secred Techniques to Master Conscious Travel and Unlock Higher Realms. The copyright is 2025.
I had high hopes for this book. It started out good, but it let me down. As usual, I'll start with the negative things about the book, then move on to the positive.
I always start by questioning the author's credentials and amount of firsthand experience. I ask, "What makes the author qualified to talk about this subject?" In the case of Emily Oddo, there is nothing in the book to make me think she's had even a single out-of-body experience / astral projection. She doesn't credit any teachers or books for her knowledge. She does mention a few well-known authors like Robert Bruce, Robert Monroe, and William Buhlman. There are no credentials and no narratives. There are no professional references to look up, and the whole book is just another "textbook" knowledge dump.
Even chapter 12, "The Collective Experience: Stories From the Astral Plane," which sounds promising, wasn't. In fact, it didn't contain a single OBE narrative. It was just a collection of AI-like sentences stating how astral projections change people's opinions on life-after-death, their expanded view of life, spirituality and other topics. But not one example.
A quick search on the Internet demonstrates that Oddo has published a lot of books on new-age topics, which makes me believe she's cranking out as many books as she can to collect as much money as she can from honest seekers who don't know any better. And it must work because she keeps cranking them out.
It took me a while to realize it, but I'm fairly certain it was created with the help of AI, Artificial Intelligence. But unlike my previous book review, The Astral Plane: An Exploration Beyond the Physical, by D.R.T. Stephens, it actually says something useful. So I guess the author used a better AI engine than Stephens, or something. The first few chapters read more like a human wrote it, but it quickly devolves over the next few chapters.
How do I know it's AI? Because it's way too "formula." It sounds monotone, unemotional, and analytical. In other words, mechanical, very mechanical. There's not a single off-the-wall comment or emotion expressed to make me think she's human.
Almost every sentence--let's just say 85 percent of them--are written in passive voice. Inexperienced authors think that sounds professional, intelligent, and mature, but in reality, it just makes it very difficult to read. I've complained about this before in other books. It's one of my pet peeves.
If you don't know what "passive voice" means, simply put, it's when the subject doesn't "do" the verb, but the verb "is done" to the subject. So instead of writing "I purchased the book" (active voice) you have "The book was purchased by me" (passive voice). Excessive use of passive voice drives me crazy. CRAZY! [A wide-eyed, crazed look crosses Bob's face as he pulls the choke lever on his chainsaw and pulls the starter cord.] Seriously, please try to remove it from your writing if you can.
When I say the book is "too formula," here's what I mean:
- Almost every chapter has a similar introductory paragraph that sounds almost reasonable.
- Almost every paragraph follows the same formula:
- The first sentence is almost invariably written in passive-voice, and talks about (or eludes to) some technique, process, or practice.
- The second sentence is written in active voice or passive voice, usually about 50 percent chance, and gives a little more detail about the subject of the first sentence.
- The third and following sentences make points to support the previous sentences, the most often are written in passive voice.
- The paragraphs are all about the same length.
I'll give you a concrete example: Here are the first sentences of EVERY paragraph from pages 105 through 107:
- The immediate recording practice creates a crucial first bridge between astral and physical awareness. (pg. 105)
- The symbolism translation process addresses the challenge of bringing multidimensional understanding into linear awareness. (pg. 105)
- The physical anchoring technique embeds astral insights into daily awareness through sensory association. (pg. 105)
- The progressive embodiment approach recognizes that integration occurs in stages rather than instantly. (pg. 106)
- The trigger phrase method condenses complex astral insights into concise verbal formulations that can be recalled easily during daily activities. (pg. 106)
- The parallel processing practice develops the capacity to maintain expanded awareness alongside ordinary functioning. (pg. 106)
- The integration meditation creates dedicated space for systematically incorporating astral insights. (pg. 107)
- The application identification technique transforms abstract insights into concrete behavioral changes. (pg. 107)
- The gradual frequency elevation approach works with the vibrational differential between astral and physical consciousness. (pg. 107)
- And on and on and on, ad nauseam.
Does that sound like a human or a machine to you?
Okay, I've harped enough about passive voice and the use of AI.
Even if you slog through the passive-voice sentences, the author tries to make it seem like her information (from 2025, mind you) is cutting-edge, but it's really not. For example, she references (in passing--not much detail) the TPJ (Temporoparietal Junction) of the brain and default mode network (DMN), but says absolutely nothing about newer discoveries in neuroscience, like the 2023 discovery of the role of the anterior precunius in OBEs. Another example: She writes:
"The hormone melatonin and the neurotransmitter DMT (dimethyltryptamine), produced naturally in the pineal gland, have been implicated in facilitating these altered states of consciousness." (pg. 3)
She says this again on page 111. The "theory" that the pineal gland may produce small amounts of DMT was put forth by Rick Strassman in his 2001 book, DMT: The Spirit Molecule. As interesting as it is, Strassman's theory has since been disproven by science, yet Oddo presents it here as fact.
There are a few more points I disagree with. For example, she writes:
"...consciousness shifts to new locations by forming clear conceptual images of the desired destination." (pg. 60)
As I've said many times before, it's not that easy. When I was a beginner, after leaving my body, I'd try to reach destinations by visualizing them, or visualizing people I wanted to visit, stating my desire, and many other methods. It never worked. And I'm very good at visualization. It took me a couple years to get the hang of it. It's more like setting an intention of a place as an anchor-point, and pulling your awareness there. I wrote about it in this blog article and this blog article.
Oddo kind of describes a similar thing, anchor points, with regard to stability:
"As you move through the astral environment, periodically designate specific pointsas anchors by focusing brief but intense attention on them." (pg. 64)
The Vibrations
Oddo gives advice on how to pass through the vibrational state.
"When the vibrations begin, focus complete attention on experiencing them fully without resistance or analysis. Rather than attempting to immediately exit the body, temporarily direct your intention toward intensifying these sensations. This counterintuitive approach prevents premature separation attempts while allowing the energy body to complete its shift naturally." (pg. 75)
She also offers a unique approach:
"When vibrations occur, direct your attention to a single body part--typically the head, chest, or hands. Concentrate on the sensations in this limited area until they intensify beyond the general vibrational state. This concentrated energy creates a localized separation point through which consciousness can exit more easily than attempting full-body separation during intense vibrations." (pg. 76)
That seems like good advice. I rarely experience the vibrations anymore, but I'll have to try that. Whenever I try to intensify the vibrations through intention, they always fade away. What always works best for me is to remain completely passive and watch the vibrations grow in intensity, then try to physically move. See this blog article for more information.
Lucid Dreams and OBEs
Oddo believes the same as I do with regard to lucid dreams and OBEs:
"This dream environment exists within the individual's consciousness rather than as an independent reality. Astral Projection, by contrast, involves the perception of environments that exist independently of the individual's consciousness..." (pg. 84)
I found this interesting:
"The oscillation technique intentionally moves awareness back and forth between dream and astral states to develop precise control over state transitions." (pg. 95)
To me, that's like playing with fire. In my first book, I wrote about something I called "The fantasy trap." Basically, if you daydream and/or use your imagination too much during an OBE, you're likely to accidentally slip into a dream state. Your OBE lucidity can slip into a lucid dream state, then slip further into an ordinary dream state. So to me, trying to oscillate between the two is like injecting yourself with a sedative: it's not only unproductive, you risk losing everything. I recommend you hold onto OBE awareness as long as you can. Don't try to bop between them.
As I said, this book is much better than the previous one I reviewed. Unlike that book, this one gives some good information:
"Practice is essential. Astral projection is not merely an intellectual concept to understand but an experience to embody." (pg. x)
Here's another gem:
"Practice deliberately withdrawing awareness from each sense individually. Begin with hearing: listen to the most distant sound you can perceive, then gradually bring awareness to closer sounds, and finally to sounds within your own body. Repeat this process with visual awareness..." (pg. 15)
Techniques
The book has some good astral projection techniques.
Oddo gives a fairly decent rendition of Robert Bruce's famous "Rope technique." She even credits him, and unlike most authors, explains (correctly) how to focus on the tactile sensations, not visualization. (pg. 34)
Oddo gives a decent explanation of the "Point Shift" method, in which you basically try to shift the focus of your attention to another location. (pg. 37)
She gives a good explanation of the Wake-Back-To-Bed (WBTB) technique on page 45.
She also gives some decent visualization techniques (pg. 41)
She talks about sound-induced projection techniques, such as the use of binaural beats. (pg. 49)
The book's subtitle suggests "7 Sacred Techniques," but she doesn't enumerate them, nor does she give any information about them being "sacred."
Tips and Advice
Oddo gives some good advice regarding the learning and practicing of OBEs. For example:
"Spatial disorientation provides another powerful method for completing difficult projections. When partial separation occurs, deliberately confuse your spatial awareness by imagining contradictory positions and movements." (pg. 55)"
She also gives some solid recommendations, like:
- Keep a dream and OBE journal, and write down your experiences as soon as you can.
- Incorporate or "anchor" your intentions during daily life, like with affirmations.
- Examine your own belief system and alter them.
- Work to resolve your fears.
I give the book 3 stars out of 5. It was obviously created with the "help" of AI, Artificial Intelligence. There was some good information in this book, but a lot of it appears in other books too. The grammar is good, the spelling is perfect, but oh my God, so much of the book is written in passive voice, it's a chore to read.
Bob Peterson
16 June 2026
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